| 摘要: |
| “图式”是贡布里希引入图像学的哲学概念，在中西绘画中应用广泛，对中国古代园林绘画的研究具有重要价值。本文以沈周《东庄图》为研究对象，运用图像学方法，探讨了《东庄图》对《草堂十志图》《龙眠山庄图》《游春图》等唐宋绘画的借鉴，及其对《拙政园图》《郊园图》和《止园图》的启发，从而将这套图册与早期传统、庄园实景和后人画作关联起来，揭示出园林绘画中图式语汇的运用及其现代意义。 |
| 关键词: 风景园林 园林绘画 图像学 图式 《东庄图》 |
| DOI：10.14085/j.fjyl.2017.12.0044.08 |
| 分类号:TU986 |
| 基金项目:中央高校基本科研业务专项资金(编号2017JC06）；国家自然科学基金青年基金项目(编号51708029） |
|
| The Source and Influence of Schemata in Shen Zhou’s Dongzhuang Painting in Ming Dynasty |
|
HUANG Xiao1, LIU Shan-shan2, ZHOU Hong-jun3
|
|
1.Beijing Forestry University;2.Beijing Jiaotong University;3.Tongji University
|
| Abstract: |
| Schema is a philosophy term introduced into iconology study by Ernst H. Gombrich. It has significant value for the study of Chinese garden paintings. The famous garden painting “Dong Zhuang Painting” scroll painted by Shen Zhou in 15th century, which inherits past realistic traditions and breaks new grounds for the future painters. The paper analyzed the influence of earlier paintings on “Dongzhuang Painting”, such as “Ten views in Songshan Mountain Painting”, “Long Mian Mountain Villa Painting”, and “Spring Outing Painting”, and how “Dongzhuang Painting” inspired the works of later painters, such as “Zhuozheng Garden Painting”, “Jiaoyuan Painting” and “Zhiyuan Painting”. Schema plays a pivotal role in the analysis of the relationship between its predecessors and followers, this paper reveals the role of schemata in garden painting developments and its modern significance. |
| Key words: sandscape architecture garden paintings Iconology schema Dongzhuang Painting |
| 引用本文: | 黄晓,刘珊珊,周宏俊.明代沈周《东庄图》图式源流探析[J].风景园林，2017，24（12）：44-51. |
| HUANG Xiao,LIU Shan-shan,ZHOU Hong-jun.The Source and Influence of Schemata in Shen Zhou’s Dongzhuang Painting in Ming Dynasty[J].Landscape Architecture Journal, 2017, 24(12):44-51. |
|
