| 摘要: |
| 探讨路易斯·巴拉干在亲人尺度的日常空间中塑造“深远感”，实现“空旷寂寥”场景氛围的方法、发展过程和来源。从分析巴拉干自宅入手，建筑经过改造，逐渐实现对市井和自然的双重屏蔽。通过调节光线的层次、空间界面的差异化处理、半高墙体的设置以及人和更高的两重空间尺度并存，制造“受控的昏暗”，带来空间的深远感，使自宅内部成为“自然之影”的容器。然后通过梳理巴拉干不同时期的设计作品，讨论他面对“自然”的态度的变化，及其设计语言的改变。建筑不断变得“封闭”，成为“光的盒子”，让自然的信息经过一层过滤，将具体的“复杂”转变为抽象的“微妙”，使其陌生化地显现。重点强调石头城住宅区对巴拉干审美理想转向原始雄浑的深刻影响，进而指出，这一变化与巴拉干对北美大陆孤寂感的逐步深入认识有关。 |
| 关键词: 路易斯·巴拉干 封闭 光线 两重尺度 间接自然 信息过滤器 |
| DOI：10.14085/j.fjyl.2020.06.0022.08 |
| 分类号:TU024 |
| 基金项目: |
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| The Agent of Nature in Houses of Luis Barragán |
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JIN Qiuye
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Beijing University of Civil Engineering and Architecture
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| Abstract: |
| This paper discusses Luis Barragán’s method, development process and source of creating “remoteness” and realizing “empty and lonely” scene atmosphere in the daily space of human scale. Starting from the analysis of Luis Barragán House and Studio, it notes that the building has gradually realized the double shielding of the city and the nature during transformation. By adjusting the layers of light, differential treatment of spatial interface, setting half height wall, and making the coexistence of human and higher spatial scale, the house creates a controlled dimness, brings a far-reaching sense of space and makes the interior a container of “natural shadow”. Through sorting out Luis Barragán’s design works in different periods, it discusses how Luis Barragán’s attitude towards “nature” has changed his design language. Architecture is becoming “closed” and “box of light”, which enables natural information to be filtered, and turns specific “complexity” into abstract “subtlety”, making it appear strangely. This paper focuses on the profound influence of El Pedregal on Luis Barragán’s aesthetic ideal which turns to the primitive and vigorous, and points out that this change is related to his gradual in-depth understanding of the sense of loneliness in the North American continent. |
| Key words: Luis Barragán closed light double scale indirect nature information filter |
