| 摘要: |
| 画意追求是明清园林叠山的重要倾向，并且影响了叠山实践。以山水画中的皴法为切入点，在结合相关的造园和画论史料的基础上，开展了明清园林叠山与山水画皴法的比较分析。研究发现：1）明清园林叠山对于皴法的借鉴和山水画皴法的总结联系密切，由于受到绘画上复古求源的社会文艺思潮影响，叠山有了对历代各种皴法借鉴的可能，这在明清以前较为少见；2）借鉴皴法成为画意叠山实践的重要方法，以致在叠山的每个重要环节均出现了以皴法为指导的具体叠山理法；3）明清时期在对山水画和叠山的品评上也出现了趋同的现象，是否拥有皴法画意是叠山作品重要的评价和欣赏标准。对于叠山和山水画皴法的比较分析，为当代叠山实践中利用传统山水画皴法提供参考，同时对进一步发掘明清画意叠山的价值有所启示。 |
| 关键词: 传统园林 画意叠山 山水画皴法 比较分析 明清 |
| DOI：10.14085/j.fjyl.2022.05.0124.06 |
| 分类号:TU986.1 |
| 基金项目:湖南省教育厅科学研究项目（编号 21C0444） |
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| Comparative Study of the Texturing Method of Landscape Painting and Picturesque Rockery Art of Gardens in Ming and Qing Dynasties |
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ZHANG Zhiqiang, ZHENG Xi
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Beijing Forestry University
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| Abstract: |
| The pursuit of picturesque conception was an important tendency of the rockery art and influenced the rockery practice in gardens during Ming and Qing Dynasties. This research sets out with the texturing method of landscape painting based on relevant historical materials of gardening and painting theory, and carries out a comparative analysis of the texturing method of landscape painting and picturesque rockery art in Ming and Qing Dynasties. It is found that: 1) The use of the texturing method in the rockery design in gardens in Ming and Qing Dynasties was closely related to the summary of it in this period. Influenced by the social literary trend of returning to the ancients and seeking the sources in painting, it once became possible to provide reference for the texturing method, which was rare before Ming and Qing Dynasties; 2) Drawing on the texturing method became an important method in practicing the picturesque rockery art, so that there were concrete methods guided by the texturing method in each significant process; 3) In Ming and Qing Dynasties, there was also convergence trend in the evaluation of landscape painting and rockery art. Whether the pictorial texturing method was applied once became an important evaluation and appreciation standard. Through the comparative analysis, it provides a reference for the contemporary practice of rockery art by using the texturing method of traditional landscape painting, and has some enlightenment for further exploring the value of picturesque rockery art of Ming and Qing Dynasties. |
| Key words: traditional garden picturesque rockery art texturing method of landscape painting comparative analysis Ming and Qing Dynasties |
