| 摘要: |
| 【目的】恰逢第十三届中国国际园林博览会在徐州举办，是向公众展示徐派园林的好机会。【方法】徐派园林展园（即徐州园）设计以徐派园林发展的3个重要历史时段为切入点，展现出徐派园林的起源期、鼎盛期和定型期的造园艺术特色。【结果】总体设计采用三段式的空间布局形式，形成台地城苑、汉代庭园、山水诗园3个叙事篇章：第一篇章采用高台筑园的形式来表现徐派园林起源于“台地城苑”的概念；第二篇章采用中国传统“一池三山”的造园模式，展现徐州汉代庭园堂榭高悬的景观特色；第三篇章以叠石假山结合摩崖题刻的形式，展现徐州宋代园林的天然与雅致之美。徐派园林展园造园艺术特色鲜明，园林建筑采用新汉风风格，叠石理水技艺高超、富于变化，植物配置古朴写意，园林小品极具徐文化特色。【结论】徐派园林展园旨在溯源徐派园林根脉，展示其不同时期的独特造园艺术特色。希望吸引更多的专家学者加入徐派园林的研究中来，让更多的人知晓这类地域性代表园林。 |
| 关键词: 风景园林 徐派园林 徐派园林文化 两汉文化 造园技艺 |
| DOI：10.12409/j.fjyl.202112160812 |
| 分类号:K928.73；TU986.2 |
| 基金项目: |
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| Exploring the Origin, Adhering to the Right Path, and Breaking New Ground: A Journey to the Historical Development of Xu-Style Garden |
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HE Fengchun, YANG Jiakang, YANG Ming
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Suzhou Institute of Landscape Architecture Design Co. Ltd.
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| Abstract: |
| [Objective] The opening of the 13th China (Xuzhou) International Garden Expo is a perfect opportunity to show Xu-Style garden to the public. Xu-Style garden mainly refers to the Chinese traditional garden with Xu cultural connotation in ancient Xuzhou as the most regionally representative garden in China. With distinctive and artistic regional gardening characteristics, Xu-Style garden originated in Qin Dynasty, took shape in the Spring and Autumn period and the Warring States period, flourished in Han Dynasty, developed in Tang Dynasty, and finally stylized in Song Dynasty. [Methods] By reviewing and researching the history and gardening art of XuStyle garden, this research takes the three significant historical periods of the development of Xu-Style garden, namely the origin period, heyday period and stylization period, as entry points to demonstrate how the design of the Xu-Style Garden (Xuzhou Garden) conveys the artistic gardening characteristics of XuStyle garden in each of the three periods. [Results] Making full use of the original local topography and geomorphology, the design of the Xu-Style Garden creates a spatial form that complements the surrounding environment and integrates with the surrounding mountains and rivers. By dexterously using Lüliang Pavilion as the background, the design depicts a beautiful natural landscape painting scroll that contains pavilions and mountains. The overall design adopts a three-stage spatial layout, forming three narrative chapters: Terrace City Garden, Han Dynasty Garden and Landscape Poetry Garden. The three chapters have their respective characteristics, and there exists a relationship of progression between them. The first chapter takes the Yunnü River and Liangwang City, source of Xu-Style garden’s culture, as the entry point, which adopts the garden construction form of terrace-based garden construction to illustrate that Xu-Style garden originated from the concept of “Terrace City Garden”. The second chapter takes the culture of Han Dynasty as the entry point, which adopts the traditional Chinese gardening model of “three mountains in a pool” to display the landscape characteristics of Xu-Style garden and pavilion in Han Dynasty. The third chapter takes the poetry culture of Song Dynasty as the entry point, which shows the natural elegant beauty of Xu-Style garden in Song Dynasty by integrating the rockery piling landscaping with cliff inscriptions. The gardening art of the Xu-Style Garden has distinctive characteristics. The exhibition garden mainly exhibits the overhanging waterside pavilion, the most representative and unique architectural form of Xu-Style garden. As to architectural style, the new Han style as the dominant style, combines the traditional Han-Style architecture with the new technologies and materials for modern architecture to achieve the integration of “ modern style” and “Han style”. Additionally, the exhibition park presents excellent rockery piling and water management techniques, where water and stones are reasonably arranged and coordinated overall, and local stones are ingeniously adopted to integrate rockery into real mountains. The whole park is connected with water by virtue of the elevation difference of terrain, and water shape is rich and changeable. Plant configuration is quite impressionistic, with the natural landscape in Xuzhou taken as reference, and the freehand brushwork technique adopted to reflect the rustic characteristics. The design of landscape sketches in the exhibition garden is based on the Xu cultural relics with the characteristics refined and processed to form decorative sketches and sculptures of landscape architecture. [Conclusion] Despite the long history and rich cultural heritage, Xu-Style garden is rarely known by people nowadays. The purpose of the Xu-Style Garden is to trace the origin of Xu-Style garden, display its gardening characteristics in different periods, and attract more experts and scholars to participate in the research on Xu-Style garden to bring this regionally representative garden to the attention of more people. |
| Key words: landscape architecture Xu-Style garden Xu-Style garden culture Han culture gardening technique |
| 引用本文: | 贺风春,杨家康,杨明.探究源流，守正创新——徐派园林溯源之旅[J].风景园林，2023，30（3）：71-75. |
| HE Fengchun,YANG Jiakang,YANG Ming.Exploring the Origin, Adhering to the Right Path, and Breaking New Ground: A Journey to the Historical Development of Xu-Style Garden[J].Landscape Architecture Journal, 2023, 30(3):71-75. |
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